Use the default tool (forward warp) make a decently large brush We need to provide some pixels for the splatter effect.Ĭhoose Filter>Liquify to go into the liquify filter You are ready to begin.ĭuplicate the object layer by selecting it and press Ctrl/Cmd+J (You could also just move the cut out object to a new document if you prefer).Īt this point you should have a clean background and your object on a new layer like shown. Repair these steps on smaller areas if you need to do some repair work. Make a rough selection with the lasso tool and press Shift+Delete (Shift+Backspace Windows). Make sure you fill in the area that the object used to be.
#Paint splatter brushes photoshop cs6 free download how to
I have a tutorial that shows you how to do that here. I used this one because of the boomerang shape of her body, that may create some visual interest and impression of anticipated movement.Ĭut out the object from the background and put onto its own layer. In this case I chose a photo I shot of model: Lina. Start with a photograph that you think will work well with this, something with some action usually works best. In my example, I decided to go for a more liquid style result.
![paint splatter brushes photoshop cs6 free download paint splatter brushes photoshop cs6 free download](https://freedesignfile.com/uploads/2013/04/20130403662.png)
So if you don’t get a good result the first time, don’t worry, just keep trying. choosing the best brushes and where to use them does take a bit of practice to get decent results. I say simple, because the mechanics are actually not that hard. So here is a very simple way of getting this effect.
![paint splatter brushes photoshop cs6 free download paint splatter brushes photoshop cs6 free download](https://fbrushes.com/media/cache/c3/6e/c36e15e40028baacab03ce56aa7ef11e.jpg)
Since this is such a popular technique, I figured I would take a stab at a tutorial, doing it my way. The photoshop dispersion effect, splatter effect, shatter effect, whatever you want to call it is a very popular technique to use on photographs, particularly those with movement.